{"product_id":"everything-is-photograph","title":"Everything Is Photograph","description":"\u003cb\u003eThe first full biography of this innovative 20th-century photographer vividly depicts his life and works from Hungary to France and America.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eBorn in Budapest in 1894, André Kertész soared to star status in Jazz Age Paris, tumbled into poverty and obscurity in wartime New York, slogged through 14 years shooting for \u003ci\u003eHouse \u0026amp; Garden, \u003c\/i\u003ethen improbably reemerged into the spotlight with a 1964 retrospective at New York’s Museum of Modern Art. By the time of his death in 1985, he had exhibited around the world, taken more than 100,000 images, and steered the medium in new and vital directions: He was the first major photographer to embrace the Leica, the camera now mythically linked to street photography, and he pioneered subjective photojournalism, publishing what is arguably the world’s first great photo essay.\u003cbr\u003e\u003cbr\u003eDrawing on dozens of interviews, previous scholarship, and deep archival research, and interrogating the images themselves, Patricia Albers retrieves aspects of Kertész’s life that he and his pictures gloss over, among them the ordeals of trench warfare, the impact of the Holocaust, and the tale of his tangled romances. She takes Kertész from the Eastern front in World War I to the Paris of Piet Mondrian, Colette, Alexander Calder, and a lively Central European diaspora. From Condé Nast’s postwar media empire to the “photo boom” of the 1970s. She revisits Kertész’s relationships with other photographers, among them his frenemy Brassaï and protégé Robert Capa. She breathes life into a gentle, generous, and unassuming man endowed with Old-World charm but also sputtering with grievance and rage and inclined to indulge in deception.\u003cbr\u003e\u003ci\u003e \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eEverything Is Photograph \u003c\/i\u003eimmerses readers in the heyday of a now-lost version of photography. Freshly seen, formally vigorous, emotionally rich, and aesthetically charged, Kertész’s images speak of the medium as a tool for human connection, inquiry about the world, self-narration, and self-invention, even as they project its mysteries.","brand":"MediaPlace","offers":[{"title":"Default Title","offer_id":57396568719742,"sku":"NW9781590515099","price":38.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1379\/1261\/files\/9781590515099.jpg?v=1778607823","url":"https:\/\/mediaplace.com\/en-eu\/products\/everything-is-photograph","provider":"MediaPlace","version":"1.0","type":"link"}