{"product_id":"picturing-the-undead-in-beirut","title":"Picturing The Undead In Beirut","description":"\u003cp\u003eMartyr posters are more than obituary images – they can act as visual politics. Focusing on Rabih Mroué''s play \u003ci\u003eHow Nancy Wished That Everything Was an April Fool''s Joke\u003c\/i\u003e (2007), Agnes Rameder analyses how contemporary artists question and appropriate Lebanese martyr posters. By linking the posters from the \u003ci\u003eWars in Lebanon\u003c\/i\u003e (1975-1990) to contemporary posters, she shows that these images continue to the present day, that martyrs are still created and that deaths, such as those who were killed in the explosion on 4 August 2020, are still visually remembered. This study does not focus on how such pictures are perceived by a Western audience but delves into the use and abuse of martyr posters that were intended to be shown to the Lebanese.\u003c\/p\u003e","brand":"MediaPlace","offers":[{"title":"Default Title","offer_id":57395266257278,"sku":"NW9783837675399","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1379\/1261\/files\/9783837675399.jpg?v=1778674523","url":"https:\/\/mediaplace.com\/en-usa\/products\/picturing-the-undead-in-beirut","provider":"MediaPlace","version":"1.0","type":"link"}