After Dada
After Dada
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What happened in 1920s Cologne ''after Dada''? Whilst most standard accounts of Cologne Dada simply stop with Max Ernst''s departure from the city for a new life as a surrealist in Paris, this book reveals the untold stories of the Cologne avant-garde that prospered after Dada but whose legacies have been largely forgotten or neglected. It focuses on the little known Magical Realist painter Marta Hegemann (1894-1970). By re-inserting her into the histories of avant-garde modernism, a fuller picture of the gendered networks of artistic and cultural exchange within Weimar Germany can be revealed.
This book challenges orthodox interpretations of the Cologne avant-garde by demonstrating the existence of a continued active and vibrant avant-garde artistic culture in the city ''after Dada'' in which women artists, critics, dealers and collectors played a major role.
After Dada: Marta Hegemann and the Cologne avant-garde is an important addition to research on Weimar visual culture and will be invaluable to students and specialists in the field.
This book challenges orthodox interpretations of the Cologne avant-garde by demonstrating the existence of a continued active and vibrant avant-garde artistic culture in the city ''after Dada'' in which women artists, critics, dealers and collectors played a major role.
After Dada: Marta Hegemann and the Cologne avant-garde is an important addition to research on Weimar visual culture and will be invaluable to students and specialists in the field.
