Gerhard Richter And The Technologic
Gerhard Richter And The Technologic
Aline Guillermet uncovers Gerhard Richters appropriation of science and technology from 1960 to the present and shows how this has shaped the artists well-documented engagement with the canon of Western painting.
Through a study of Richters portraits, history paintings, landscapes and ornamental abstractions, Guillermet reveals the artists role in affirming the technological condition of painting in the second half of the twentieth century: a historical situation in which the medium and its conventions have become shaped, and to some extent transformed, by technological innovations.
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Aline Guillermet uncovers Gerhard Richters appropriation of science and technology from 1960 to the present and shows how this has shaped the artists well-documented engagement with the canon of Western painting.
Through a study of Richters portraits, history paintings, landscapes and ornamental abstractions, Guillermet reveals the artists role in affirming the technological condition of painting in the second half of the twentieth century: a historical situation in which the medium and its conventions have become shaped, and to some extent transformed, by technological innovations.
