Kerry James Marshall
Kerry James Marshall
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Kerry James Marshall is one of Americas greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself.
In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshalls critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life.
Essays by Teju Cole and Hal Foster help readers navigate the artists masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshalls own artistic philosophy. This catalogue is published on the occasion of Marshalls eponymous exhibition at David Zwirner, London, in 2018.
In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshalls critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life.
Essays by Teju Cole and Hal Foster help readers navigate the artists masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshalls own artistic philosophy. This catalogue is published on the occasion of Marshalls eponymous exhibition at David Zwirner, London, in 2018.
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Kerry James Marshall is one of Americas greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself.
In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshalls critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life.
Essays by Teju Cole and Hal Foster help readers navigate the artists masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshalls own artistic philosophy. This catalogue is published on the occasion of Marshalls eponymous exhibition at David Zwirner, London, in 2018.
In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshalls critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life.
Essays by Teju Cole and Hal Foster help readers navigate the artists masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshalls own artistic philosophy. This catalogue is published on the occasion of Marshalls eponymous exhibition at David Zwirner, London, in 2018.
