One None & A Hundred Grand
One None & A Hundred Grand
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A hilarious exploration of the relativism of identity from Italian novelist and playwright Luigi Pirandello, winner of the 1934 Nobel Prize in Literature.
When Vitangelo Moscardas wife tells him his nose leans slightly to the right, his entire world swings off kilter. Loafing about, suddenly estranged from himself, he accosts friends, strangers, and passersby to look closely and confirm: Am I not the self I thought I was? Wandering from mirror to mirror, Moscarda embarks on a dizzying pursuit to see himself as others see him, to root out the stranger within. Searching endlessly for his true self, Moscarda ricochets through insecurity, reclusiveness, self-detachment, and doubt resolving, with icy recognition, that "people roll through their lives like stones, complacent, insensate, and closed," locked in an unknown face. Things quickly escalate from pensive reflection to dramatic confrontations as the protagonist disintegrates. With sharp dialogue and comic brilliance, Pirandello dissolves the fixity of perception, challenging us to question the solidity of our own identities and to consider the ways we are each held captive by the gazes of others.
When Vitangelo Moscardas wife tells him his nose leans slightly to the right, his entire world swings off kilter. Loafing about, suddenly estranged from himself, he accosts friends, strangers, and passersby to look closely and confirm: Am I not the self I thought I was? Wandering from mirror to mirror, Moscarda embarks on a dizzying pursuit to see himself as others see him, to root out the stranger within. Searching endlessly for his true self, Moscarda ricochets through insecurity, reclusiveness, self-detachment, and doubt resolving, with icy recognition, that "people roll through their lives like stones, complacent, insensate, and closed," locked in an unknown face. Things quickly escalate from pensive reflection to dramatic confrontations as the protagonist disintegrates. With sharp dialogue and comic brilliance, Pirandello dissolves the fixity of perception, challenging us to question the solidity of our own identities and to consider the ways we are each held captive by the gazes of others.
