Sketchy.
Sketchy.
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Tune-Yards' last release 'I can feel you creep into my private life', was a self-reflexive question mark at the end of a decade of outspoken, polyphonic indie music. From 2009 to 2018, Tune-Yards (both Merrill and her partner and collaborator Nate Brenner) released four critically acclaimed albums, travelled the world relentlessly to play live shows, and composed the psychedelic score to Boots Riley's surrealist cinematic masterpiece 'Sorry to Bother You'. Unlike the lyrical introspection of previous outing 'I can feel you...', on 'sketchy.' Merrill balances self-inspection and reflection with bombastic rallying cries, reminiscent of the furious tones of early days Tune-Yards. The result is a colourful and joyous record with lyrics that cut to the bone.
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Tune-Yards' last release 'I can feel you creep into my private life', was a self-reflexive question mark at the end of a decade of outspoken, polyphonic indie music. From 2009 to 2018, Tune-Yards (both Merrill and her partner and collaborator Nate Brenner) released four critically acclaimed albums, travelled the world relentlessly to play live shows, and composed the psychedelic score to Boots Riley's surrealist cinematic masterpiece 'Sorry to Bother You'. Unlike the lyrical introspection of previous outing 'I can feel you...', on 'sketchy.' Merrill balances self-inspection and reflection with bombastic rallying cries, reminiscent of the furious tones of early days Tune-Yards. The result is a colourful and joyous record with lyrics that cut to the bone.
